
Well, I got my ducks in a row to order a D3. No telling when it may arrive. I'm hearing that it may be April before Canadian stores are able to keep stock on the shelves, but of course that includes sales to many people who have not yet placed an order. Hopefully mine will arrive before then .. I'll be eager to hit road with this amazing piece of engineering.
This is the first time I've ordered a camera prior to diligently performed reviews being available. I don't think I would have this time either if I were concerned about the timing vs. Nicole and I hitting the road. But simple logic tells me that whether or not the camera is as miraculous as it currently seems (for example ISO 6400 shots with very acceptable noise characteristics), it will be a good improvement over my trusty 2X.
When friends speak to me about updating their cameras, I always ask them "What will the new one enable you to do that you cannot do now?" It is all too easy to want a newer model just because it is "Better", without really thinking through whether you will benefit in proportion to the cost.
For me, the value of the D3 is very clear. Of all the things I wanted improved in my next camera, high sensitivity low noise performance was at the top of the list.
One characteristic of my style is that I like very sharp images with a lot of detail. I just love making a large print and being able to look deeply into it to examine those details, and I use very careful technique to capture them. But all the technique in the world will not make sharp photographs of moving elements (blown by the wind for example) shot at low speeds made necessary by small apertures. The D3 will enable me to use much higher shutter speeds, yielding sharper images in difficult situations.
Fourteen bit raw files are another very exciting development for me, putting the D3 on par with certain medium format backs in this regard. I often spend hours post-processing my keepers, doing the digital equivalent of dodging and burning, etc. Ansel Adams said that 50% of photography happens in the darkroom. I'm very much on the same page there, and an extra couple bits of color depth will give me more latitude in this regard.
For many people the big news is that the D3 is "full frame", by which they mean it has a 35mm sensor. For me this is a mixed blessing. The larger viewfinder image is very welcome for manual focusing, but to be honest, even though a great deal of my work is manually focused, I tend to make heavy use of the focus indicators in my 2X, especially, for example, when adjusting the tilt on my tiltable lenses. I can still do that on the D3, but the focus sensors are not as close to the edges of the frame, making them less useful for this purpose. Too, I enjoy the reach that the DX format sensor gives me. For that reason, I will continue to keep a DX format camera in the bag as well, though it may well be that a D300 replaces my 2X.
And then there is dynamic range. This is often challenging to manage, and the larger photosites of the D3 in theory make possible a greater dynamic range. Only time and testing will reveal whether Nikon has achieved this potential in the D3. I'm fairly sure it will not be an extraordinary improvement, but every bit will help.
I expect the D3 to make possible many shots that I just cannot create right now. I am
so looking forward to that. :)